So says Patrick Gaughan in his review of Trisha Low’s The Compleat Purge, over at HTML Giant.

The Believer reviews Pamela Lu’s novel, Ambient Parking Lot: Pamela Lu targets art movements of the twentieth and twenty-first centuries, gleefully eviscerating avant-garde pieties, cherished literary truths, and pop-cultural bromides alike. And yet, despite these satirical hijinks, Ambient Parking Lot ultimately raises questions that might apply more broadly to those of us who enjoy taking […]