Tonight, curator Franziska Glozer’s exhibition devoted to the work of Hannah Weiner opens at the Kunsthalle Zürich. Testing the hypothesis that Weiner’s clair-style writing foreshadowed contemporary virtual semiotic circuits, Glozer is possibly the first since the Dwan Gallery’s “Language” exhibits in the early 1960s to exhibit her work as written objects. See the press release for more information on the show and related events hosted by the museum.
The Clairvoyant Journal, Weiner’s best known book, has been reset and reissued in print by BAT Editions. See Patrick Durgin’s long form introduction to book, and order a copy for yourself, right here.