“Is poets theater even a genre at all?” Kevin and David Brazil asked in their introduction to the volume they edited together, 2010’s The Kenning Anthology of Poets Theater. … Kevin identified himself as part of a second wave of San Francisco Poets Theater because, as he told Heidi Bean, “there was a vacuum into which, I thought, I could harness some New Narrative energy. And gay it up a bit—it was a terribly straight place. Maybe not earnest, but straight.” He cast other writers and the rehearsal process was extremely short, perhaps meeting the day of the show to work out entrances and exits and minimal blocking. Light costuming may have included a robe or Halloween store cloak. His actors held scripts so they didn’t have to memorize their lines, but that meant they weren’t looking at each other. Their performances were varying degrees of amateur, which rather than inducing cringes provided for a vital sense of authenticity.